Hunchback of Notre Dame Quasimodo Out There Sheet Music Art Print

Album Title:	The Hunchback of Notre Dame Original Soundtrack
Cartoon Title:	The Hunchback of Notre Matriarch
Composer:	Alan Menken, Stephen Schwartz (lyrics)
Catalog Number:	B000001M31
Release Type:	Soundtrack
Release Engagement:	June 21, 1996
Buy at:	Amazon, Amazon MP3, iTunes

Tracklist:
[spoiler]

Track Title	Creative person	Time
01. The Bells of Notre Matriarch	Paul Kandel, David Ogden Stiers, Tony Jay & Chorus	6:25
02. Out There	Tony Jay and Tom Hulce	four:25
03. Topsy Turvy	Paul Kandel & Chorus	5:35
04. Humiliation	Score with Chorus	i:39
05. God Help the Outcasts	Heidi Mollenhauer & Chorus	3:43
06. The Bell Tower	Score	3:04
07. Sky's Calorie-free/Hellfire	Tom Hulce, Tony Jay & Chorus	five:22
08. A Guy like Y'all	Jason Alexander, Charles Kimbrough, Mary Wickes & Mary Stout	2.54
09. Paris Called-for	Score with Chorus	1:54
10. The Court of Miracles	Paul Kandel & Chorus	1:27
eleven. Sanctuary!	Score with Chorus	6:01
12. And He Shall Smite the Wicked	Score with Chorus	3:29
13. Into the Sunlight	Score	ii:09
xiv. The Bells of Notre Dame (Reprise)	Paul Kandel & Chorus	i:09
15. Anytime	All-4-I	4:20
16. God Help the Outcasts	Bette Midler	3:28

[/spoiler]

Review: Probably one of the more controversial titles in the Disney pantheon, The Hunchback of Notre Dame impressed critics with its grandiose and darker than usual subject matter. Seeking to echo these themes, Alan Menken (who has won 8 Academy Awards from scoring Disney films), created a soundtrack with songs that were more than dramatic and certainly darker than Disney scores prior.

The outset runway, "The Bells of Notre Dame", serves as exposition for its audience.  It'south one of my favourite pieces, with the charismatic Clopin, leader of the gypsies, telling the tale of Gauge Frollo's murder of Quasimodo's mother and the male child'south subsequent adoption. Its tone is calorie-free at outset, simply so descends to a haunting, thrilling chorus of Latin verses which grow to a imperial climax. Clopin's vox returns in an blusterous form to set the theme for the film by asking, "Who is the monster and who is the Man?" He and so finishes the song with an incredible falsetto that starts the moving-picture show perfectly.

The Bells of Notre Matriarch

[audio: Hunchback – The Bells of Notre Dame.mp3]

Throughout the soundtrack, the songs explore and play on the themes of darkness and calorie-free. "Topsy Turvy" plays equally intended, with lyrics that allow loose by throwing everything out of identify amidst a jangling jig. Information technology's a fun slice, with only a slight hint of menace in the celebrations. "Out There" has Frollo gravely lecturing Quasimodo of the dangers of the world outside, simply when Frollo leaves, Quasimodo sings of heading out into the world and experiencing its joys. The vocal is uplifting and conveys the innocent hope perfectly to the listener. Helps that veteran Tom Hulce produces a magnificent functioning as Quasimodo and is envied among many a struggling baritone. Furthering this juxtaposition of darkness and low-cal is the song "Heaven'due south Light, Hellfire." Amidst light bells, Quasimodo sings of coming together Esmeralda (whom he calls an angel) and expresses his wish to see her again. In Frollo's "Hellfire" piece, these bells plough into a mournful prayer of confession, which serves as the counterpoint to his torment and lust for Esmeralda. This motif occurs once more several times in other parts of the soundtrack.

Out At that place

[audio: Hunchback – Out At that place.mp3]

It's non all drama in the score. God Aid the Outcasts offers a repose moment where Esmeralda asks for aid for the gypsies who Frollo hunts. It's a lilting plea for the people others accept forgotten and is actually quite beautiful even if the Bette Midler version in the soundtrack, though sung very well by the songstress, doesn't capture the agony and dazzler of the picture version.

The soundtrack features another pop song: Anytime by All-4-Ane. It'due south corny, just very tricky as All-iv-I accept it in their pace with a poignant commitment via exquisite harmonies. There's too A Guy Like You, which is the soundtrack'southward weakest song and probably simply Menken's need to include a testify piece in a children's film. While comical, the vocal just doesn't fit in with the residuum of the pieces.

The master stars in this score notwithstanding, are the instrumentals. Tense strings and horns in Humiliation play a mockery of Out There, and are thoroughly heart-rending in the scene where Quasimodo is attacked by the vicious mob. The Bell Tower, with motifs from God Assist the Outcasts and Someday, features airy bells accompanying lush strings, perfectly conveying Quasimodo'southward innocent yearning for Esmeralda.

Paris Burning, Sanctuary and And He Shall Smite the Wicked, all have the strong Hellfire motif, paired with pulsating contumely and that awe-inspiring chorus. Sanctuary, the longest piece of the instrumental tracks, has the bulk of the tension and danger carried through the chorus and pipe organ. This is tail-ended past the heralding of trumpets every bit the heroes arrive to salvage the day. And He Shall Smite the Wicked reprises the chants in The Bells of Notre Dame as Quasimodo battles Frollo for the concluding time. The piece is slower, but with the pipe organ in the background, much more definite.

Sanctuary

[audio: Hunchback – Sanctuary.mp3]

Into the Sunlight runs the finale of the film, with the strings playing the Out There motif earlier moving into a reprise of The Bells of Notre Matriarch, where Clopin this fourth dimension asks, "What makes a monster and what makes a Human being?" This question is left up in the air, just the question seems to answer itself every bit the darkness yields to the low-cal one time the ringing bells, the blaring contumely and that sumptuous chorus all combine into a more hopeful version of Hellfire, and a triumphant, glorious finish.

The Bells of Notre Dame (Reprise)

[audio: Hunchback – Reprise.mp3]

The Hunchback of Notre Dame is perhaps my favourite of the Disney film soundtracks, bated from mayhap the Beauty and the Beast. Though a couple of songs detract from the experience of it, the chorus arrangements are stunning and the daring behind a soundtrack like this is definitely worth the respect it garners.

And now if you would alibi me, I'm going to endeavor and sing Out There again.

Rating: Splendid

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